William Mortensen (31 Images)
William Mortensen preferred the pictorialism style of manipulating photographs to produce romanticist painting-like effects. The style brought him criticism from straight photographers of the modern realist movement and, in particular, he carried on a prolonged written debate with Ansel Adams.
His arguments defending romanticism photography led him to be "ostracized from most authoritative canons of photographic history." In an essay, Larry Lytle wrote "Due to his approach—both technically and philosophically in opposition to straight or purist adherents — he is amongst the most problematic figures in photography in the twentieth-century... historians and critics have described his images as "...anecdotal, highly sentimental, mildly erotic hand-colored prints...", "...bowdlerized versions of garage calendar pin-ups and sadomasochist entertainments...", "...contrived set-ups and sappy facial expressions...", and finally he was described by Ansel Adams as alternately the "Devil", and "the anti-Christ.""